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Image of Shafrin's thesis work. A corner of a room with walls displaying the projected text 'LOST IN THE KALEIDOSCOPE OF SENSATION' on one side and 'AS I WATCH THE WORLD WHIRL PAST ME' on the other. The projection casts ripples of light that resemble water over the walls and the shadow of a plant."
Thesis 2024 / Shafrin Islam
Published on
April 25, 2024
Image of Liz's thesis work. Photo shows the hands of two figures handing off a glass bottle filled with water, herbs, and flowers
Thesis 2024 / Liz Hilliard
Published on
April 25, 2024
Artwork by Gabby Hicks: installation of a purple waiting room at a therapist's office. Gabby's designs are used in marketing and promotional materials for her therapy brand, Pawse.
Thesis 2024 / Gabby Hicks
Published on
April 25, 2024
Artwork by John Hallett: Abstract sculpture with a square, metal base, bronze vertical projection arcing over the base, and orange glass hanging from the end of the bronze
Thesis 2024 / John Hallett
Published on
April 25, 2024
Artwork by Elsie Gray: an installation of a tiled bathroom floor, pedestal sink and mirror, overflowing wastebasket. A small television on the wall plays a video of the artist.
Thesis 2024 / Elsie Gray
Published on
April 25, 2024
Artwork by Melanie Dowding: an orange-red, abstract painting on a white gallery wall. Several fabric sculptures are installed over the mural.
Thesis 2024 / Melanie Dowding
Published on
April 25, 2024
Wei-Wei Chen's Thesis Work
Thesis 2024 / Wei-Wei Chen
Published on
April 22, 2024
Shangyuan Chen's Thesis Work Installation
Thesis 2024 / Shangyuan Chen
Published on
April 22, 2024
Jesse Belinsky's Thesis Work
Thesis 2024 / Jesse Belinsky
Published on
April 22, 2024

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Land Acknowledgement

The Minneapolis College of Art and Design (51±¬ÁϹÙÍø) acknowledges it is located on traditional, ancestral, and contemporary lands of Indigenous people. This is the ancestral homeland of the Dakota and Ojibwe people, who were forcibly exiled from the land because of aggressive and persistent settler colonialism. We recognize that this place has a complex and layered history. As a community dedicated to creativity, 51±¬ÁϹÙÍø is committed to ongoing efforts to support and advocate for American Indian Nations and peoples.


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51±¬ÁϹÙÍø admits students of any race, color, creed, religion, ancestry, national origin, sex, sexual orientation, age, or marital status to all the rights, privileges, programs, and activities generally accorded or made available to students at the school. It does not discriminate on the basis of race, color, creed, religion, ancestry, national origin, sex, sexual orientation, gender identity, gender expression, age, or marital status in the administration of its educational policies, scholarship and loan programs, and other school-administered programs.